"Jews Run Hollywood - So What?"

- is a brazen "shove it down your throat article"

Marlon Brando complained on the Larry King Live show on april 5th 1996 that, "Hollywood is run by Jews - it is owned by Jews!" He added that the Jews have slandered every other racial group, "but are ever so careful to insure that there is never any negative image of the Kike."

For this Marlon Brando was labelled "anti-Semitic" and forced to apologize to the Jews running the Simon Wiesenthal Holocaust Tourist Center in Los Angeles.

Now organized Jewry has become so brazen and powerful that they are no longer making any secret of this fact!

Jews Run Hollywood - So What? The American Moment Magazine is subtitled, "The Jewish Magazine for the ¥90s". Its edition of Aug. 1996 carries the startling headline "Jews Run Hollywood - So What?" The author is the Jew Michael Medved who states:

"It makes no sense at all to try to deny the reality of Jewish power and prominence in popular culture. Any list of the most influential production executives at each of the major movie studios will produce a heavy majority of recognizably Jewish names."

The article then describes how the Jew Michael Eisner, the Head of Walt Disney studios only hires "highly paid Jewish moguls" as producers such as Jeffrey Katzenberg, Michael Ovitz, Joe Roth (former head of 20th Century Fox). Medved emphazises the point that, "The famous Disney organization, which was founded by Walt Disney, a gentile Midwesterner who allegedly harboured anti-Semitic attitudes, now features Jewish personnel in nearly all its most powerful positions."

Medved continues: "Men and women of Jewish background enjoy a vastly disproportionate - if not dominate - influence in Hollywood." He adds that even studios which were bought out by the Japanese Sony Corp. and by the Australian Jew Rupert Murdoch, still had to hire, "a Yiddish team of long-time industry leaders in all the most powerful positions. When Mitsushita took over MCA-Universal, they did nothing to undermine the unquestioned authority of Universal¥s legndary - and all-Jewish - management triad of Lew Wasserman, Sid Scheinberg and Tom Pollack."

Medved further writes that most of today¥s movie moguls graduated from Ivy League colleges, "where Jews are vastly over-represented - just as they are in Hollywood." He says that nepotism plays a role exemplified with Samuel Goldwyn Pictures being run by the son of founder Samuel Goldwyn and a third generation, Tony Goldwyn, is waiting in the wings to take over. He adds: "This dynastic tendency in American entertainment certainly is a factor in the continued prominence of the Jewish role."

Medved says that while polls show that Americans believe that Jews make up 10% of the population it is just 2,4%.

Marlon Brando¥s chief complaint was that the Jews are always depicted as kind, loving, humorous, do-gooders. Medved writes that, "Jewish writers and directors employ unquestionably flattering depictions of Jews for audiences to react with sympathy and affection."

Thus Jewish characters have become commonplace in prime-television in the US, as exemplified by such shows such as "The Nany", starring the loud-mouth Brooklyn Jewess Fran Drescher, "Northern Exposure" features Dr. Joel Fleishman, "Seinfeld" abounds with Jewish themes says Medved, "Quiz Show" has the Jew Rob Morrow as the lawyer, "Mad About You" has Paul Reiser as the filmmaker, "Friends" depicts David Schwimmer as the doctor. Other TV programs featuring obvious Jews in flattering situations include "Love and War", "Thirtysomething", "LA Law", "Home Front" and "Brooklyn Bridge".

Medved writes that resentment against Hollywood has increased:

"Poll after poll, taken over the past 10 years, shows that the public believes this industry is more firmly associated with Jews than any other business in the world. That it is almost universally viewed as a destructive force in our society should be of concern."

Medved says that such anti-Christian films as "The Last Temptation of Christ" by Lew Wasserman, "gives tactic approval to what most Americans consider as a damaging influence of the entertainment industry."

Medved ends with this statement, which should be a warning to all non-Jews:

"The combined weight of so many Jews in one of America¥s most lucrative and important industries gives the Jews of Hollywood a great deal of political power. They are a major source of money for Democratic candidates. The industry¥s informal patriarch, MCA chairman Lew Wasserman, wields tremendous personal clout in state and national politics. So do Barbara Streisand, Norman Lear and others."




JEWISH MAGNATES IN THE US MEDIAS AND FINANCE
OBSERVE: only 1 in 36 US citizerns is a Jew.
(yet another myth is that Jews are some kind of numerically small or insignificant group)
The following first half is a list of media magnates, the second half is a list of Wall Street magnates. Naturally this list is purely jewish "Kosher".

 
The following is a list of Jewish CEO's in the USA. It is proof that Jews really does control the US media.

NAME COMPANY

 

The following is a list of Jews or Jewish families who control the financial markets.
Despite all their money these people - on the whole where essentially 'mafioso' types and thugs (which can be divined from their distinct manner of speaking which sounds like a New York City Jewish gangster). Note that the Jewish book "The Jewish Almanac", Bantam Books, 1980, p.58, under the title "The Jewish Underworld: American Jewish Gangsters", wrote:

"It would not be an exaggeration to say that their influence on organized crime in the United States during the 1920´s and 1930´s rivaled, if not exceeded, that of their Italian counterparts."

The following list was primarily compiled from the book "The New Crowd: The changing of the Jewish Guard on Wall Street" by the Jews Ehrlich and Rehfeld.
The older Jewish generation of "german" Jews called 'Our Crowd' (some of these 'german' Jews were already firmly established before the American Civil War! But many became prominent just after the Civil War - many of these Jews profitted heavily from the slave trade in the Americas).

 

The 'newer' Jewish generation of "Eastern European" Jews called 'The New Crowd'. They migrated to the US in 2 major exoduses 1) in the early 1900's 2) just after WWII 3) after the collapse of the Soviet Bloc (these particular Eastern Jews are not mentioned in the book and are not officially 'new crowd' Jews although they come from the same origins).


 


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